Vielekezi (symbols) and criminalization

 

Source: Giambattista Della PortaDe humana physiognomonia (Vico Equense [Naples]: Apud Iosephum Cacchium, 1586

Kielekezi - symbol, indication.

From ‘elekeza’, meaning ‘direct’. Kuelekeza means ‘to direct’. To indicate and direct in a particular direction. Mwelekeo means 'direction'.

It is a commonly attested fact that Indigenously-controlled African societies never had any police nor jails yet remained internally peaceful, just, and blameless. In Kiswahili there’s no indigenous word expressing the idea of crime/criminal/criminality. All such words are loaned from foreign sources depending on relations with such foreigners as shown in the paragraphs that follow.

 

>Jambazi - 1. armed robber, gunman, hoodlum; house-wrecker. 2. cheat, charlatan, rogue, ruffian.

Loaned from Persian جانباز‎ (jānbāz).

The same word pronunciation and meaning exists in Georgian language as ჯამბაზი (jambazi). 

Loaned from Persian جانباز‎ (jânbâz), possibly via Turkish cambaz.

Pronunciation

IPA (key): /d͡ʒambazi/

Noun

ჯამბაზი • (ǯambazi) (plural ჯამბაზები)

- acrobat, conjurer, trickster, magician

Synonyms

 კლოუნი - (louni, that is ‘clown’)

 

>Jangili - poacher, rogue. Loaned from Hindi जंगली (jaglī, wild).

In East Africa, elephant hunting for ivory was a very prevalent Indian occupation, with Allidina Visram being titled “king of ivory” and receiving honors from Aga khan III Sultan Muhmmad Shah. Small subsistence players involving themselves in the same activity were obviously not sanctioned by the colonial system, hence rendered illegal and labelled ‘jangili’.

 

>Jinai - crime: Kesi ya ~ criminal case. Loaned from Arabic جِنَايَة‎ (jināya); criminal - جنائي (jinayiyun)

 

Symbolism 1.0 – Caricatures

Caricatures are one of the most politically charged forms of symbolism. A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings. Caricatures can be either insulting or complimentary, often serve a political purpose, and may be drawn solely for entertainment, but often for a combination of both. Caricatures of politicians are commonly used in editorial cartoons, while caricatures of movie stars are often found in entertainment magazines.

In literature, a caricature is a distorted representation of a person in a way that exaggerates some characteristics and oversimplifies others.

Symbolism 1.1 - Physiognomy

Physiognomy (from the Greek φύσις, 'physis', meaning "nature", and 'gnomon', meaning "judge" or "interpreter") is the practice of assessing a person's character or personality from their outer appearanceespecially the face. The term can also refer to the general appearance of a person, object, or terrain without reference to its implied characteristics—as in the physiognomy of an individual plant (plant life-form) or of a plant community (vegetation).

Physiognomy as a practice meets the contemporary definition of pseudoscience, and it is so regarded among academic circles because of its unsupported claims. Popular belief in the practice of physiognomy is nonetheless still widespread and modern advances in artificial intelligence have sparked renewed interest in that field of study.

Physiognomy became of use in the field of Criminology through efforts made by Italian army doctor and scientist, Cesare Lombroso. Lombroso, during the mid-1800s, championed the notion that "criminality was inherited and that criminals could be identified by physical attributes such as hawk-like noses and bloodshot eyes". He believed that one could determine whether one was of savage nature just by their physical characteristics. Based on his findings, Lombroso proposed that the "born criminal" could be distinguished by physical atavistic stigmata, such as:

1.     Large jaws, forward projection of jaw

2.     Low sloping forehead

3.     High cheekbones

4.     Flattened or upturned nose

5.     Handle-shaped ears

6.     Hawk-like noses or fleshy lips

7.     Hard shifty eyes

8.     Scanty beard or baldness

9.     Insensitivity to pain

10. Long arms relative to lower limbs

From only one assumption of "biological influence on criminality", Lombroso crafted an entire treatise still applied in criminology. That is entirely unscientific. The scientific method involves formulating various hypotheses (which are categorized into positive, null and negative hypotheses) via induction, based on such observations; the testability of hypotheses, experimental and the measurement-based statistical testing of deductions drawn from the hypotheses; and refinement (or elimination) of the hypotheses based on the experimental findings. These are principles of the scientific method. Lombroso’s theories and current applications of artificial intelligence in criminology are therefore pseudoscience. They are ripe ground for manipulation by entities interested in maintaining a status quo of injustice. They can also be used to fight for justice. It depends on motivations and direction (mwelekeo) pursued by the entities utilizing the symbols. The intricacies of the consistency and coherence of symbols in any particular side is corelated to the symbols' effectiveness. It is possible for a criminal and a justice to have similar physical characteristics.

 

References

Jaeger, Bastian (2020). "Lay beliefs in physiognomy explain overreliance on facial impressions". PsyArXiv.

Newton, Issac (1999) [1726 (3rd ed.)]. Philosophiæ Naturalis Principia Mathematica [Mathematical Principles of Natural Philosophy]. The Principia: Mathematical Principles of Natural Philosophy. Translated by Cohen, I. Bernard; Whitman, Anne; Budenz, Julia.

Roy Porter (2003). "Marginalized practices". The Cambridge History of Science: Eighteenth-century science. The Cambridge History of Science. Vol. 4 (illustrated ed.). Cambridge University Press

TUKI (2001), Kamusi Ya Kiswahili-Kiingereza; Swahili-English Dictionary. Published by Taasisi ya Uchunguzi wa Kiswahili (TUKI), Chuo Kikuu cha Dar es Salaam, Tanzania.

Comments